Music by Phillip Evergood :: Essays Papers

Music by Phillip EvergoodThe Painting Music by Philip Evergood is around definitely one of my all-time favorite exposures. The painting has so some rich colors and lively shapes. It literally makes you feel as though you were sitting either in the same room as the mint in the painting or possibly even playing melody along with them.I think that what Philip Evergood was trying to accomplish with this painting was a feeling of ace through music and I believe that he did an outstanding job of showing this. He made a coarse effort to show the diversity in his subjects. He shows old men, new sports fangled men, black men, white men, old women, young women white women, and black women. He uses his guinea pig of music to show incredible unification.One other social occasion that I especially liked about the painting was the fact that you could around feel the type of music being played in this downcast room. You actually get a feel for the time period and undecomposed by being able to see the detail in the individuals wear and expressions on there face there is something here that screams void. In merely research I found that Evergood was indeed a jazz fan and the time period 1933- 1959 does indeed make it a possibility that jazz was the music that these individuals were playing.I especially like how Evergood incorporated so some(prenominal) different instruments in his work. Yet another link to jazz in my opinion. He has an insane amalgamation of horns and brass and drums and violins. He has not only when portrayed the diversity of music and people but he has shown the unity in music and I think that this was his main theme and I believe that it could not have been executed more beautifully by any other artist at any other time.From the theme of unity and his ability to express it so well to his actual painting technique I believe that Evergood has accomplished something that so many artists realise for. He has given his painting life. He has shown that there is a guide meaning behind themes in his painting. Themes that are not so frequently hidden but more or less right in your face, ready to be taken in.